張靄珠 教授
(03)571-2121 ext. 31393
人社三館R410
學術專長
British and American Literature Theater and Performance Studies Globalization Theories Gender Studies
學歷

美國紐約大學戲劇研究所博士
Ph. D, Performance Studies, New York University

美國威斯康辛大學麥迪遜校區比較文學碩士
M.A. Comparative Literature, University of Wisconsin, Madison

中華民國國立台灣大學外國文學系學士
B.A. Foreign Language and Literature, National Taiwan University

經歷

交通大學外文系教授(2003年迄今)
Professor, Department of Foreign Languages and Literatures, NCTU (2003-present) 交通大學外文系主任 (2014年-2016年)


Chair, Department of Foreign Languages and Literatures, NCTU (2014-2016) 交通大學主任秘書(2009年-2011年)
Provost and Secretary General, NCTU (2009-2011) 交通大學副教務長(2007年-2009年)


Vice Provost, Academic Affairs, NCTU (2007-2009) 交通大學電影研究中心主任(2004年–2005年)
Director, Cinema Studies Center, NCTU (2004-2005)

學術獎項
  1. 2011年 傅爾布萊特訪問學者 Fulbright Visiting Scholar (2011)

  2. 2011年 紐約大學訪問學者
    Visiting Scholar, New York University (2011)

  3. 2007-2016國立交通大學傑出研究獎勵
    Recipient (2007-2016), NCTU Distinguished Research Grant

  4. 2006年 國立交通大學優良導師
    Recipient, Best Advisor Award (2006), National Chiao Tung University

  5. 1997–2019年 共計21年獲得國科會專題研究計畫及獎勵

    Recipient, Research Grant and Award (1997-2019), Ministry Science & Technology

    1. 2006年 紐約大學訪問學者

      Visiting Scholar, New York University (2006)

    2. 2000年 加拿大MacKay 研究獎

      Recipient, Mackay Canadian Studies Award (2000), Canadian Culture Council

    3. 2000年 法國「國際人文理論學院」Fellow

      Fellow, The International College of Humanity Theories (2000), France

    4. 1999年 交通大學優良教師獎

      Recipient, Merit Award in Teaching (1999), National Chiao Tung University

    5. 1998年 紐約大學傑出論文獎

      Recipient, Distinguished Doctoral Dissertation Award (1998), New York

      University

    6. 1995–1997年 亞洲文化協會研究獎

      Recipient, Distinguished Research Award (1995-97), Asian Cultural Council

    7. 1994–1996年 傅爾布萊特研究獎勵

      Recipient, Fulbright Research Grant (1994-96), Fulbright Academic Foundation

    8. 1992年 文建會劇本創作獎

      Recipient, National Award for the Best Play (1992), Council of Cultural Planning

      and Development

    9. 1992年 中國文藝協會傑出作家獎章

      Recipient, National Award for the Best Novelist (1992), Chinese Cultural and Arts

      Association

    10. 1992年 聯合報極短篇小說獎

      Recipient, Award for the Best Short Story (1992), United Daily News

    11. 1991年 聯合報新詩創作獎

      Recipient, Award for the Best Poem (1991), United Daily News

    12. 1987年 中國時中篇小說獎

    Recipient, Award for the Best Novel (1987), China Times

    Ministry of Science & Technology Granted Projects

    1. 2016-2019 年 《人與非人之間: 後人類表演政治及美學》(MOST 105- 2410-H-009-039-MY3)
      The Politics and Aesthetics of Post-human Performance (2016-2019)

    2. 2014-2016年 《千禧回顧:百老匯音樂劇族裔再現的記憶策略、文化間際 與迷文化》 (MOST103-2410-H009-038-MY2)
      Millennium Retrospect: the Memory Strategies, Cultural Interstices, and Fan Culture of Ethnic Representation in Broadway Musicals (2014-2016)

    3. 2012年 《亞美戲劇:從文化國族主義到跨國文化主義》(99-2410-H- 009-010-MY3)
      Asian American Play: From Cultural Nationalism to Transnational Culturalism (2012)

    4. 2010-2013年 《全球化異己、恐怖主義、與創傷記憶:後9/11英美戲劇及 類影像紀錄》 (NSC99-2410-H-009-010-MY3)
      Global Alterity, Terrorism, and Traumatic Memories: Post-9/11 American and British Theatre and Quasi/documentary(2010-2013)

    5. 2009-2010年 國科會《Eco-City健康樂活城─智慧生活科技區域整合中 心》創意總監 Eco-City: Innovation Platform and Urban Planning of Lohas and Sustainability (2009-2010)

    6. 2007-2010年 《後殖民想像與第三視界/世界:拉美族裔認同及跨文化劇場》 (NSC96-2411-H009-007-MY3)
      Postcolonial Imagination and the Third World Vision: Latino/a Identities and Intercultural Theater (2007-2010)

    7. 2006年 《美國多元文化主義、熱帶形塑與拉丁美裔跨文化再現之相互影 響》(95-2918-I-009-005)
      Multiculturalism, Tropicalization, and Latino/a Transcultural Representation (2006)

    8. 2006年 《異己全球化:英國文化政策、酷兒策略,與男女同志劇場》 (2/2) (95-2411-H-009-005-)
      “Global Alterity: British Cultural Policies, Queer Politics and Lesbian and Gay Theater 2/2” (2006)

    9. 2005年 《異己全球化:英國文化政策、酷兒策略,與男女同志劇場》 (1/2) (94-2411-H-009-018)
      “Global Alterity: British Cultural Policies, Queer Politics and Lesbian and Gay Theater 1/2” (2005)

    10. 2004年 《主體形構,異質空間,與新酷兒電影的抵拒美學》(93-2411-H- 009-007-)“Subject Formation and Anti-Aesthetics of New Queer Cinema” (2004)

    11. 2003年《美國洛杉磯「高速公路劇場」(Highways Performance Space) 與多元文化主義政策及實踐》(92-2411-H-009-013-)“American Politics and Practices of Multiculturalism and Highways Performance Space” (2003)

      1. 2002年 《愛滋病論述、再現、與酷兒表演》 (91-2411-H-009-008-)

        “Aids Discourses, Representation, and Queer performance” (2002)

      2. 2001年 《流離越界與亞美酷兒表演及書寫II》(90-2411-H-009-016-)

        “Border Crossing and Asian American Queer Performance 2/2.” (2001)

      3. 2000年 《流離越界與亞美酷兒表演及書寫I》(89-2411-H-009-016-) “Border Crossing and Asian American Queer Performance 1/2.” (2000)

      4. 1999年 《污名再現與性別踰越(愉悅)—紐約的酷兒表演研究》(88- 2411-H-009-011-)
        “Restaging Stigma and the Pleasure of Gender/Sex Ttransgression” (1999)

      5. 1998年 《從紐約的「開檔褲」劇團(Split Britches)看性別裝扮表演、 身體美學、以及女同性戀社區文化的性別建構》(87-2411-H-009-007) “Performativity of Lesbian: The Aesthetics and Body Politics of Split Britches.” (1998)

學術服務
  1. 2016中山大學文學院自我評鑑審查委員

    External Evaluation Committee (2016), College of Liberal Arts, Sun Yat-sen

    University.

  2. 2016 淡江大學英美語文學系自我評鑑審查委員

    External Evaluation Committee (2016), Department of English, Tamkang

    University

  3. 2015 中興大學文學院教師評鑑委員

    External Reviewer of Faculty Evaluation Committee (2015), College of Liberal

    Arts, National Chung Hsing University

  4. 2015東華大學英美語文學系自我評鑑審查委員

    External Evaluation Committee (2015), English Department, Dong Hwa

    University

  5. 2015 世新大學英語學系自我評鑑審查委員

    External Evaluation Committee (2015), English Department, Shih Hsin University

  6. 2014 中興大學外文系系所評鑑委員

    External Evaluation Committee (2014), Foreign Languages and Literatures Department, National Chung Hsing University

    1. 2014 輔仁大學英國語文學系系所評鑑委員

      External Evaluation Committee (2014), English Department, Fu Jen Catholic

      University

    2. 2013 佛光外國語文學系評鑑委員

      External Evaluation Committee (2013), Foreign Languages and Literatures Department, Fo Guang University

    3. 2011 陽明大學校務評鑑自評委員
      Evaluation Committee (2011), Yang Ming University

    10.  2010-2012年 考選部公務人員特考外交領事人員及國際新聞人員考試口試委員

    Oral Examination Committee (2010-2012), Civil Service Special Examinations: Diplomatic and Consular Personnel and International Information Officers, Ministry of Examination

    1. 2008-2010年 教育部公費留考命題及甄試委員
      National Scholarship Review Committee (2008-2010), Study Abroad National Scholarship Application

    2. 2008-2010年 教育部公費留學考試口試委員
      Oral Examination Committee (2008-2010), Study Abroad National Scholarship Application

    3. 2010年 考試院口試委員
      Oral Examination Committee (2010), The Examination Yuan of the Republic of China

    14. 2010年 外交部口試委員
    Oral Examination Committee (2010), Ministry of Foreign Affairs, Republic of China

    1. 2007年-2008年 外交部「外交小尖兵」選拔評審
      Judge, The Selection of Young Delegates of Diplomacy for the Republic of China (2007-2008), Ministry of Foreign Affairs

    2. 2010年 中原大學校務評鑑自評委員
      Evaluation Committee (2010), Chung Yuan Christian University

    3. 2010年 亞洲大學校務評鑑自評委員 Evaluation Committee (2010), Asia University

    4. 2009年 淡江大學英語系評鑑大學系所評鑑委員
      External Evaluation Committee (2009), English Department, Tamkang University

    5. 2009年 暨南大學外文系所評鑑大學系所評鑑委員
      External Evaluation Committee (2009), Foreign Languages and Literatures Department, National Chi Nan University

    6. 2009年 中正大學外文系所評鑑大學系所評鑑委員
      External Evaluation Committee (2009), Foreign Languages and Literatures Department, National Chung Cheng University

    7. 2009年 台灣大學外文系所評鑑大學系所評鑑委員
      External Evaluation Committee (2009), Foreign Languages and Literatures Department, National Taiwan University

    8. 2009年 慈濟大學英美語文系所評鑑大學系所評鑑委員
      External Evaluation Committee (2009), Department of Foreign Language and Literature, Tzu Chi University

      23. 2009年 世新大學英語系複評自評大學系所評鑑委員

      External Evaluation Committee (2009), English Department, Shih Hsin

      University
      24. 2008-2012年 高等教育評鑑中心聘為大學系所評鑑委員。

      Higher Education Evaluation Committee (2008-2009), Higher Education

      Evaluation and Accreditation Center
      25. 2008-2009 年 《戲劇學刊》編輯委員

      Editorial Board (2008-2009), The Theater Journal
      26. 2008年 於廈門大學成立「海峽兩岸性別研究與教學中心」,為創始人之

      ㄧ。

      Co-founder, (2008), Cross-Strait Gender Studies and Teaching Center
      27. 2008年1月 於浙江大學社會科學院參加2008年婦女與性別研究國際工作坊,

      受邀為keynote speaker,並培訓來自大陸全國和海外大學教師
      Keynote Speaker (2008), International Gender Studies and Teaching Workshop, Zhejiang University

      28.2008年9月 於廈門大學參加海峽兩岸性別研究與教學研討會,受邀為 speaker。

      Invited Speaker (2008), Cross-Strait Gender Studies and Teaching International

      Conference, Xiamen University

      1. 2007年10月 上海國際戲劇學術研討會,受邀為speaker。

        Invited Speaker (2007), 2007 International Forum of Theater and Anthropological

        Performance, Shanghai Theater Academy

      2. 2006年4月 應邀至紐約大學「性別研究與酷兒表演論壇」發表專題演

        Invited Speaker (2006), Forum of Gender Studies and Queer Performance, New

        York University

      3. 2003–2005年《台灣舞蹈研究》編輯委員。

        Editorial Board (2003-2005), Taiwan Dance Studies Journal

      32. 自1998年起,擔任多次國科會研究計畫及十多種期刊之審查人,包含

      Journal of Chinese Cinema,《中外文學》、《同心圓: 文學與語言學研究》、 《英美文學評論》、《淡江評論》、《歐美研究》、《台大文史哲學報》、 《臺大語言與文學研究》、《戲劇學刊》、《戲劇研究》、《文山評論:文 學與文化》、《小說與戲劇》、《電影欣賞》、《清華學報》《中山人文學 報》《東華人文學報》等等。

      Reader for refereed journals: Journal of Chinese Cinema, Chung-wai Literary Monthly, Concentric: Studies in Literature and Linguistics, Review of English and American Literature, Tamkang Review, Euramerica, Humanities Taiwanica, NTU Studies in Language and Literature, The Theater Journal, Journal of Theater Studies, The Wenshan Review of Literature and Culture, Fiction and Drama, Film Appreciation Journal, Tsing Hua Journal of Chinese Studies, Sun Yat-sen Journal of Humanities, Dong Hwa Journal of Humanities, and reviewer for many National Science Council research proposals since 1998.

      教育部研究及教學計畫 Ministry of Education Project

      1. 2011-2014 交通大學人文與社會科學研究中心「跨院書寫計畫」研究員

        Researcher, Research Center for Humanities and Social Sciences, National

        Chiao Tung University (2011-2014)

      2. 2007-2009年 交通大學「教育部邁向頂尖大學精進教學計畫」總計劃協同

        主持人。(95W706;96W114;97W113;97W115;98W113) Co-investigator, “National Chiao Tung University Striding for Excellence in Teaching and Learning Project,” MOE Aiming for the Top University and Elite Research Center Development Plan (2007-2009)

      3. 2006-2007年 教育部「邁向頂尖大學計劃: 當代批判理論與視覺創意文 化」分項計劃主持人。(95W706;96W114;97W113;97W115; 98W113)
        Co-investigator, “Contemporary Critical Theories and Visual Culture,” MOE Aiming for the Top University and Elite Research Center Development Plan (2006-2007)

      4. 2006-2007年 教育部「邁向頂尖大學計劃: 視覺文化表演研究室」子項計 劃主持人。(95W706;96W114)
        Co-investigator, “Visual Culture and Performance Studies Center,” MOE Aiming for the Top University and Elite Research Center Development Plan (2006-2007)

      5. 2001–2005年 「多媒體文化情境與英語教學」 (大學卓越計畫「網路科技 與社會互動下之整合通識教育改進計畫」子項計畫主持人)
        “Multi-media CALL, Cultural Context, and English Teaching.” The First- Phase Upgrading College Education Project (2001-2005) (Ministry of Education)

      6. 2002-2003年 教育部「人文藝術教育網路計畫」協同主持人。
        “On-line Education of Humanities and Arts” (2002-2003) (Ministry of Education)

        1. 2002-2005年 教育部第二梯次「提升大學基礎教育計畫」分項計畫二「掌 握全球化先機:英語閱讀、寫作與文學素養深耕計畫」分項計畫主持人。

          “The Second-Phase Upgrading College Education Project: Globalization and Upgrading Curriculum of English Reading, Writing, and Literature.” (2002-2005) (Ministry of Education)

        2. 2002–2005年 教育部「提升國際競爭力」子項計畫主持人。
          “The Strengthening of International Competitiveness”(2002-2005) (Ministry of Education)

學術發表

Publications
(A) 期刊論文 Journal Essays

Ivy I-chu Chang. “Rerouting King Lear in a Jingju Actor’s Reminiscence: Wu  Hsing-kuo’s Lear Is Here.” Journal of Literature and Art Studies 4:12 (December 2014).

Ivy I-chu Chang. “Queer Politics, Sexual Anarchism, and Nationalism: Chinese Male Mother and Queer Family in He Is My Wife, He is My Mother.” The Drama Review 58:1 (T221) Spring 2014, 89-107. (AHCI) 張靄珠。〈蔡明亮電影的廢墟、身體、與時間―影像:析論《天邊一朵 雲》、《你那邊幾點》及《黑眼圈》〉。《中外文學》,第42卷第4期 (2013.12),頁79-116.。(THCI Core) 張靄珠。〈這是誰的黃面孔?析論黃哲倫《枷鎖》與《黃面孔》的刻板形 象操演〉。《英美文學評論》第21期(2012年12月)。131-166. (THCI CORE) (國科會計畫編號:99-2410-H-009-010-MY3)

Ivy I-chu Chang. “Who’s Yellow Face? The Performativity of Yellow Face in David Henry Hwang’s Bondage and Yellow Face.” English American Literary Review 21 (Dec 2012). 131-166. (THCI CORE) 張靄珠。〈全球異/己的倫理轉折:《家寶/喀布爾》的言說倫理與族裔 轉化 (Homebody/Kabul ) 〉。《英美文學評論》第20期(2012年6月),頁 1-34。(THCI CORE) (國科會計畫編號:99-2410-H-009-010-MY3)

Ivy I-chu Chang. “The Ethical Turn of the Self and Other: The Global Alterity and the Ethnic Transformation in Homebody/Kabul.” English American Literary Review 20 (June 2012). (THCI CORE)
Ivy I-chu Chang. “Ulysses Backed Against the Sea: Taiwan’s Alternative Modernity in Wang Wen-hsing's Backed Against the Sea.” Joyce Studies in Italy, Vol. 13. (Winter 2012): 155-168.

Ivy I-chu Chang. “Feminist Performativity of Monstrosity, Cyborg, and Posthuman Subjectivity: Orlan’s Carnal Art.” Tamkang Review 41.1(December 2010), pp. 75-96. (THCI CORE) (國科會計畫編號:99-2410-H-009-010- MY3)

Ivy I-chu Chang “The Colonial Reminiscence, Japanophilia Trend, and Taiwanese Grassroots Imagination in Cape No. 7.” Concentric 36.1 (March 2010): 79-117.(AHCI, THCI CORE) (國科會計畫編號:96-2411- H-009-007-MY3)

Ivy I-chu Chang “Mourning Love: Queer Performativity and the Affect of Shame in Zero Chou’s Spider Lilies and Splendid Float.” Concentric 35.2 (September 2009): 277-307. (AHCI, THCI CORE) (國科會計畫編號: 96-2411-H-009-007-MY3)

Ivy I-chu Chang (2009) “Gaze on/from the Caged Latino Bodies: Imaginary of Tropics and Postcolonial Performativity of The Couple in the Cage.” Tamkang Review 39.2 (June 2009 ): 77-104. (THCI CORE) (國科會計畫編號: 96-2411-H-009-007-MY3)

張靄珠,〈在「家」「國」內/外:謝耀《白色土地三部曲》中的離散酷 兒〉。《婦研縱橫》第91期(2009),頁2-22。(國科會計畫編號:96-2411- H-009-007-MY3) Ivy I-chu Chang. “Inside/Out “Home” and “the Nation-State”: The Queer Diaspora in Chay Yew’s Whitelands Trilogy” Forum in Women and Gender Studies 91 (October 2009): 2-22.

張靄珠,〈全球現代性、後殖民書寫與族裔暴力:析論柯特吉的《少年時》 與《屈辱》〉。《英美文學評論》第9期(2006),頁77-114。(THCI CORE)(國科會計畫編號:NSC95-2411-H-009-005-) Ivy I-chu Chang “Global Modernity, Post-colonial Writing, and Ethnic Violence: J.M. Coetzee’s Youth and Disgrace.” English American Literary Review No.9 (2006): 77-114. (THCI Core)

Ivy I-chu Chang (2005) “Theater as Therapy, therapy as Theater,” Research in Drama Education 10.3 (2005): 285-302. (A&HCI) (國科會計畫編號: NSC94-2411-H-009-018)

張靄珠 〈陰道獨白的全球化現象〉。《台大婦研縱橫季刊》75 (2005 July) 1-10(國科會計畫編號: NSC94-2411-H-009-018) Ivy I-chu Chang. “Grassroots Globalization of Vagina Monologues” Forum in Women and Gender Studies 75 (July 2005): 1-10.

張靄珠,〈台灣酷兒劇團的全球在地化:紅綾金粉劇團的政治與美學〉。 《台大婦研縱橫季刊》第七十三期 (2005.1),頁1-13。(國科會計畫編號: NSC94-2411-H-009-018) Ivy I-chu Chang “Gloclalizing Queer Theater in Taiwan” Forum in Women and Gender Studies 73 (May 2005): 1-13.

張靄珠,〈謊言實錄:楊德昌《恐怖份子》的性、謊言、暴力〉。《中外 文學》第33卷第3期 (2004.8),頁15-37。(THCI CORE)(國科會計畫編 號: NSC93-2411-H-009-007-) Ivy I-chu Chang “The Falsifying Force of ‘Forgers’”: Sex, Lies, and Violence in Edward Yang’s Terrorizers.” Chung-Wai Literary Monthly 33.3 (2004): 15-37. (THCI Core)

張靄珠,〈漂泊的載體:蔡明亮電影中的身體劇場與慾望場域〉。《中外 文學》30:10 (2002.3),頁75-96。(THCI CORE)(國科會計畫編號: NSC90-2411-H-009-025) Ivy I-chu Chang “Imagining Queer Bodies: The Erotic Site/Sight of Tsai Ming- liang’s Films.” Chung-wai Literary Monthly 30.10 (2002): 75-96. (THCI Core)

張靄珠,〈綻放在生命與記憶斷層的花朵:有關九二一地震的戲劇工作 坊〉。《中外文學》30:8(2002.1),頁132-157。(THCI CORE)(國科會計 畫編號:NSC90-2411-H-009-025) Ivy I-chu Chang “Rememory and Healing: the Theater Workshop of September 21 Earthquake,” Chung-wai Literary Monthly 30.8 (2002): 132-157. (THCI Core)

張靄珠,〈酷兒全球之旅:一位亞美藝術家的自/異畫像和悼亡舞劇〉。 《中外文學》30:4(2001.9),頁68-90。(THCI CORE)(國科會計畫編號: NSC89-2411-H-009-025) Ivy I-chu Chang “Queer Globality: The Portrait and Mourning of an Asian American Queer Photographer,” Chung-wai Literary Monthly 30 (2001): 68-90. (THCI Core)

張靄珠,〈意識、身體與物件之間的私密絮語:理查佛曼的失衡弔詭劇場 美學〉。《中外文學》29:12(2001.5),頁85-107。(THCI CORE) Ivy I-chu chang “Acting Out Among Unconscious, Body, and Objects: Richard Foreman’s Aesthetics on Unbalancing.” Chung-wai Literary Monthly 29.12 (2001): 85-107. (THCI Core)

張靄珠,〈性別反串、異質空間、與後殖民變裝皇后的文化羨忌〉。《中 外文學》29:7(2000.12),頁139-157。(THCI CORE)(國科會計畫編號: NSC88-2411-H-009-011) Ivy I-chu Chang “Cross-Dressing, Heterotopia, and the Cultural Ambivalence of Post-colonial Drag” Chung Wai Literary Monthly 29.7 (2000): 139-157.(THCI Core)

張靄珠,〈紐約女同性戀表演的城市空間與身體美學:析論「開襠褲劇團」 的性別操演與性別建構〉。《中外文學》28:5(1999.10),頁361-402。 (THCI CORE)(國科會計畫編號:NSC87-2411-H-009-007)Ivy I-chu Chang (1999) “Performing Lesbians: The Aesthetics and Body Politics of Split Britches” Chung-wai Literary Monthly 28.5(1999): 361-402. (THCI Core)

張靄珠,〈女性身體與城市空間的對話:從蕭渥廷的女性環境劇場論國族 記憶、城市空間、與女性集體記憶的再現〉。《中外文學》27:5(1998.10),頁40-62。 (THCI CORE)(國科會計畫編號:NSC 87-2411- H-009-007)Ivy I-chu Chang “The National Memories, City Space, and Women’s Trauma of Xiao Wo-ting’s Feminist Theater” Chung-wai Literary Monthly 27.5 (1998): 40-62.(THCI Core)

張靄珠,〈從邊緣出發的酷兒--析論房理查映象作品「我母親的地方」及 「中國文字」中的領域解構與情色策略〉。《中外文學》25:6(1996),頁6- 24。(THCI CORE)Ivy I-chu Chang “Queering Across the Border--Deterritorialization and Eroticism in Richard Fung's My Mother’s Place and Chinese Character” Chung-wai Literary Monthly 25.6 (1996): 6-24. (THCI Core)

(B) 專書及專書論文 Monographs and Book Chapters

Ivy I-chu Chang. “Encountering The Alienated self in Avant-garde Jingju: Wei Hai-min’s Cleopatra and Her Fools and Wu Hsing-kuo’s 108 Heroes: Tales from The Water Margin.” In Iris Tuan and Ivy I-chu Chang Eds., Transnational Performance, Identity and Mobility in Asia. London: Palgrave Macmillan, 2017.

Ivy I-chu Chang and Iris Tuan. Eds. Transnational Performance, Identity and Mobility in Asia. London: Palgrave Macmillan, 2017.

張靄珠。《全球化時空、身體、記憶:台灣新電影及其影響》。國立交通 大學出版社,2015.5 Ivy I-chu Chang. Global Time-Space, Bodies, and Memories: Taiwan New Cinema and Its Influence. National Chiao Tung University Press. 2015.5.

張靄珠。〈怪物、人機合體、與後人類:女性主體:歐蘭肖像及身體藝 術〉。劉瑞琪編著,《近代肖像意義的論辯》。台北:遠流。2012,頁60- 81。 Ivy I-chu Chang. “Feminist Performativity of Monstrosity, Cyborg, and Posthuman Subjectivity: Orlan’s Carnal Art.” Ed. Jui-Ch’i Liu. Contesting the Meanings of Modern Portraiture. Taipei: Yuan-Liou. 2012: 60-81.

張靄珠,《性別越界與酷兒表演》,新竹:交通大學出版社,2010.5。 Ivy I-chu Chang. Gender Crossing and Queer Performance, National Chiao Tung University Press, 2010.5

張靄珠,〈新酷兒電影的抵拒美學與酷兒主體的操演:析論海因茲的《毒 藥》與《絲絨金礦》〉《影像下的現代:電影與視覺文化研究》周英雄、 馮品佳主編。台北:書林,2007。(978-957-445-195-1).Ivy I-chu Chang “Anti-Aesthetics and Queer Performativity of Nw Queer Cinema: Todd Haynes’ Poison and Velvet Goldmine.” Visual Image and Modernity: Cinema and Visual Culture Studies, Eds., Yin-hsiung Chou and Pin- chia Feng, Bookman Books LTD. 2007.

  1. Chang, Ivy I-chu Queer Performativity and Performance Bookman Books LTD. 2003.

  2. 張靄珠,〈消費性商品全球化之「民俗性」與「在地性」:論迪士尼動畫 《木蘭》以及麥當勞的文化策略〉。《全球化與國家發展論文集》。佛光

    人文社會學院,2002。
    Ivy I-chu Chang “The Glocalization of Consumer Products: In Cases of Disney’s Mulan and McDonald’s” Proceeding of Globalization and National Development. Fo Guang University, 2002

  3. 張靄珠,〈女性身體與城市空間的對話:從蕭渥廷的女性環境劇場論國族 記憶、城市空間、與女性集體記憶的再現〉。劉紀蕙編。《她者之域》。

    麥田出版社,2001。
    Ivy I-chu Chang “The National Memories, City Space and Women’s Trauma in Xiao Wuo-ting’s Feminist Theater,” Joyce Liu Ed., Herstory and Her Country, Taipei: Mai Tien Publisher, 2001.

    張靄珠,〈污名再現與性別踰越(愉悅):紐約酷兒表演研究〉。何春蕤 編。《同志研究》。台北:巨流,2001。(國科會計畫編號:NSC88-2411- H-009-016)
    Ivy I-chu Chang “Restaging Stigma and the Pleasure of Gender/Sex transgression,” Josephine Ho Ed., Gay Culture Taipei: Jiuliu Publisher, 2001. (NSC88-2411-H-009-016)

    張靄珠,〈國家認同與歷史傷痕的再現:台灣解嚴初期小劇場的政治劇〉, 《一九九九台灣現代劇場學術研討會論文集》,台北:文建會,1999。
    Ivy I-chu Chang “Re/presenting National Identities and Collective Trauma” Taiwan’s Political Theater,” Proceeding of Taiwan’s Modern Theater and Drama Conference, Cheng kung University, Taiwan, Council of Cultural Planning and Development P, 1999.

    張靄珠,〈女性身體與城市空間的對話:從蕭渥廷的女性環境劇場論國族 記憶、城市空間、與女性集體記憶的再現〉。《空間、性別、再現》。台北:比較文學學會與輔仁大學比較文學研究所,1999。
    Ivy I-chu Chang “The National Memories, City Space, and Women’s Trauma of Xiao Wo-ting’s Feminist Theater,” Joyce Liu Ed., Space, Gender, and Representation,Fu Jen University P, 1999.

Chang, Ivy I-Chu Remapping Memories and Public Space: Taiwan‘s Theater of Action in the Opposition Movement and Social Movement, from 1986 to 1997. Taipei : Bookman Books, LTD, 1998.

張靄珠,〈房理查映像作品《我母親的地方》及《中國文字》中的領域解 構策略與情色策略〉。《文學、認同、主體性》。比較文學學會與東海大學外文系出版,1998。Ivy I-Chu Chang “Deterritorialization and Eroticism in Richard Fung’s My Mother’s Place and Chinese Character” Literature, Identity, and Subjectivity Tong Hai University P, 1998.

張靄珠,〈流離的記憶與遺忘:析論張家平劇場亞美經驗的再現〉。《第 六屆全國英美文學研討會論文集》,師範大學,1995。Ivy I-Chu Chang “Staging Diasporic Memories and Amnesia: Asian American Representation in Ping Chong‘s Undesirable Elements and Deshima.” Proceeding of The Sixth Anglo-American Literature Conference, Normal University P, 1995.

研討會論文 Conference Papers

  1. Ivy I-chu Chang. “Queer Politics and Aesthetics of Excess: Queering Split Britches' Belle Reprieve in Taiwan's Queer Theater.” The 23rd Annual Performance Studies International Conference, Hamburg, Germany, June 8-11, 2017.

  2. Ivy I-chu Chang. “The Game of Mis/translation: The Linguistic Performativity and Cultural Negotiation in David Henry Hwang's Chinglish.” The 2017 American Comparative Literature Conference, University Utretch, Netherland, July 6-9, 2017.

  3. Ivy I-chu Chang. “Representing King Lear in Matriarchy:The Love and Labor in Mother-daughter Bond(age).” The 2016 Association for Asian Performance Conference (AAP)Chicago, USA, Aug 9-11, 2016.

  4. Ivy I-chu Chang. “Chinese Nanfeng, Gender Transvestite, and Queer Campy Politics: The Glocalization of Taiwan's Queer Theater.” 2016 ACLA Annual Meeting, Harvard University, USA, March 16-20, 2016.

  5. Ivy I-chu Chang. “Transforming Greek Epic Iliad into Taiwanese Environmental Theater: Golden Bough's Troy, Troy... Taiwan.” 2016 Hawaii Humanities and Arts Annual Conference, Honolulu, USA, Jan 9-13, 2016.

  6. Ivy I-chu Chang. “Negotiating Identities in Postmodern Time-Space Compression: Golden Bough Theater’s Taiwanese Opela and Musicals.” 2015 International Federation for Theatre Research (IFTR) Annual Conference, The University of Hyderabad, India, July 6-10, 2015.

  7. Ivy I-chu Chang. “Affect, Queer Body and Time‐image of Trans‐Asian Migrants: Tsai Ming‐ Liang’s I Dong Want to Sleep Alone.” 2015 Annual Meeting of the American Comparative Literature Association (ACLA), Seattle, Washington, March 26-29, 2015.

  8. Ivy I-chu Chang. “Encountering Hip Hop Jingju in a ‘Déjà Disparu’ in Postmodern Time-Space Compression: Wu Hsing-kuo’s 108 Heroes in Water Margin.” 2015 Hawaii International Conference on Arts& Humanities, Hawaii, USA, Jan 10-13, 2015.

  9. Ivy I-chu Chang. “Lesbianizing Shakespearean Perceptions of Madness on the Taiwanese Stage.” 12th Biennial ANZSA Conference, University of Southern Queensland, Australia, Oct 1-6, 2015.

    1. Ivy I-chu Chang. “Deconstructing Shakespeare and Jingju in Cleopatra and Her Clowns.” 2014 ATHE conference, Arizona, USA, July 23-31, 2014.

    2. Ivy I-chu Chang. “Making Hip Hop Jingju a Fashion: Wu Hsing-Kuo’s Adaptation of Outlaws of Water Margin.” PSI#20, Shanghai, China, July 3-9, 2014.

    3. Ivy I-chu Chang. “Cosmopolitanism, Dystopia, and the Performativity of Posthuman Subject in Ghost in the Shell.” 2014 Annual Meeting of American Comparative Literature Association, New York University, USA, March 20-23, 2014.

    4. Ivy I-chu Chang. “Rerouting King Lear in a Jinju Actor’s Reminiscence.” 2013 International Federation Theatre Research Conference, Barcelona, Spain, Jul 22- Jul 26, 2013.

    5. Ivy I-chu Chang. “Queer Politics, Sexual Anarchism, and Nationalism: Impersonating Chinese Queer Family across Different Queer Temporalities.” The 19th Performance Studies International Conference, Stanford University, San Francisco, June 26-June 30, 2013.

    6. Ivy I-chu Chang. “Decoding Sexuality and In/articulating Culture: Robert Wilson’s Orlando and 1433-the Grand Voyage in Taiwan.” PSI#18(Performance, Culture, Industry) Conference, Leeds, June 27-July 1, 2012.

    7. Ivy I-chu Chang. “Recycling historical memories and ethnic simulacra: rethinking a transnational social sphere based on Taiwanese films Cape No. 7 and Seediq Bale.” 8th Biennial MESEA Conference, Barcelona, Spain, June 13-16, 2012.

    8. Ivy I-chu Chang “Ulysses Backed Against the Sea: In Search of Taiwan’s Alternative Modernity: In the Case of Wang Wen-hsing’s Backed Against the Sea” James Joyce Birthday International Conference, Roma Tre University, Rome, Italy, February 2011.

    9. Ivy I-chu Chang “The Intercultural Performativity of Ibsen in China: From Iconoclasm to Interculturalism” 2011 IAPL Annual International conference, National Cheng Kung University, Taiwan, May 23-29, 2011

    10. Ivy I-chu Chang “Global Alterity and Ethical Turn in the Post 9/11 American Theater: Tony Kushner’s Homebody/Kabul” 2011 ACLA Annual Conference, Vancouver, Canada, March 31-April 3

    11. Ivy I-chu Chang “Cosplaying Video Puppet Stars in Hyper Mediascape: the Posthuman Consumer Subject and Fandom” The IV International Conference on Communication and Reality, Barcelona, June 30-July 1, 2011.

    12. Ivy I-chu Chang. “Performing Ibsen on Chinese Stage: from Ibsenism to interculturalism.” International conference on Ibsen Studies. Shanghai Theatre Academy, China, October 2010.

    13. Ivy I-chu Chang. “Negotiating modernity in the interstices between Japanese body and Western canon: Tadashi Suzuki’s Cyrano de Bergerac” The IFTR 2010 World Congress “ CULTURES OF MODERNITY", University of Munich, Germany, July 25-31, 2010.

    14. Ivy I-chu Chang “Cosmopolitanism, Global Alterity, an Ethnic Transformation: the Post 9/11 Performance.” The 7th Biennial MESEA Conference, P é c s University, Hungary , June 16-20, 2010.

    15. Ivy I-chu Chang “Cosmopolitanism, Creole, and Cyborg: Orlan’s Carnal Art.” The Eighth Annual Hawaii Humanities and Arts International Conference, Hawaii University, Honolulu, Jan13-16, 2010.

      1. Ivy I-chu Chang “The Cultural Transference of Cape no. 7 and The Taike's Root

        Finding” Aesthetics and People: International Conference on 2008 Post New Movie Phenomenon, Institute of Chinese Literature and Philosophy, Academia Sinica. 2009/10

      2. Ivy I-chu Chang”Gaze on/From the Caged Latino a Bodies: Tropicalization and Ethnographic Border.” The Seventh Annual Hawaii Humanities and Arts International Conference, Hawaii University, Honolulu, Jan 8-12, 2009.

      3. Ivy I-chu Chang”Queer Performativity, Playful Infiltration, and the Affect of Shame in Zero Chou’s Spider Lilies and Splendid Float.” 2009 American Comparative Literature Annual Conference, Harvard University, March 26-30, 2009.

      4. Ivy I-chu Chang “Feminist Performativity of Monstrosity, Cyborg, and Posthuman Subjectivity: Orlan’s Carnal Art.” The Tenth Quadrennial International Conference on Comparative Literature, Translating Risk: Literary Mediation in New Contexts, Tamkang University, May 29-30, 2009.

      5. Ivy I-chu Chang “The Japanophilia and Grassroots Imagination of Cape No.7” Aesthetics and People: International Conference on 2008 Post New Movie Phenomenon, Institute of Chinese Literature and Philosophy, Academia Sinica, October 28-29, 2009.

      6. Ivy I-chu Chang “Postmodernism, Interculturalism, and Beyond: Richard Schechner’s 2007 Production of Hmlet in shanghai.” The 14th annaual Performance studies International Conference, University of Copenhagen Amager Campus, Aug 20-24, 2008.

      7. Ivy I-chu Chang “Corporealizing Puppets and Virtualizing Human Bodies: Cos- playing and Disseminating of Video Puppet Stars in Taiwan.” Presented in “Ubiquitous Media: Asian Transformations IIIS/ Theory, Culture & Society 25th Anniversary Conference, at University of Tokyo, 13-16 July, 2007.

      8. Ivy I-chu Chang “Performativity and Cosplay of Pi-li Puppet Stars in Taiwan.” 13rd Performance Studies International Conference, New York University. Nov 8-12, 2007.

      9. Ivy I-chu Chang “Lesbianizing Canon on Stage.” 2006 Crossroads Cultural Studies International Conference. Istanbul: Bilgi University. July 18-23, 2006. (國 科會審查補助)

      10. Ivy I-Chu Chang “Asian Queer Performativity and Performance.” The 12th Performance Studies International Conference, London University, June 11-14, 2006. (國科會計畫編號95-2411-H-009-005-)

      11. Ivy I-chu chang “He is a Shaman, and he is a drag: Zero Chou’s Splendid Float.” 2005 Association of Theater for High Education Conference, San Francisco, July 27-August, 2005. (國科會計劃編號 : NSC94-2411-H-009-018)

      12. Ivy I-chu Chang “Grassroots Globalization of Vagina Monologue.” The 11th Performance Studies Conference International, Brown University, USA. March 31-April, 2005.(國科會審查補助)

      13. Ivy I-chu Chang “Globalization of Queer Theater in Taiwan.” The 10th Performance Studies Conference International, Singapore, June 15-18, 2004. (國科會審查補助)

        1. Ivy I-chu Chang “Theater as Therapy, therapy as Theater,” The 9th Performance

          Studies Conference International, New Zealand, July 15-18, 2003.

        2. Ivy I-chu Chang “Global Modernity, Postcolonial Writing, and Ethnic Violence,”

          presented in Midwest Modern Language Association, Chicago, November 8-12,

          2003. (交通大學補助)

        3. Ivy I-Chu Chang “Hybridity, Diaspora, and Disidentification in Ming Yuen S.

          Ma’s Video Arts.” Dokkyo International Forum on Performance Studies, Tokyo,

          Japan, December 14-15.(教育部審查補助)

        4. Ivy I-Chu Chang “Imagining Queer Bodies: The Erotic Site/ Sight of Tsai Ming-

          liang’s Films.” Presented in the Crossroad in Cultural Studies Fourth Conference

          International, Tampere, Finland, June 29- July 2. (國科會審查補助)

        5. Ivy I-Chu Chang “Inside/Out ‘Home’ and ‘the Nation State’: Asian American

          Queer Diaspora in Chay Yew’s Whiteland Trilogy.” Presented in The Third Wenshan International Conference on “Cultural Diversity: Affinities, Discontinuities, and Tradition”, Cheng Chi University, Taiwan, Oct 26-27, 2002. (國科會計畫編號:NSC90-2411-H009-018)

        6. 張靄珠,〈消費性商品之全球在地化:論迪士尼動畫«木蘭»與麥當勞的文化 策略〉。全球化與國家發展學術研討會,佛光山人文社會學院,2002.8.22- 23。
          Ivy I-chu Chang “The Glocalization of Consumer Products: In the Cases of Disney’s Mulan and McDonald’s” Conference of Globalization and National Development. Fo Guang University 2002.8.22-23

        7. Ivy I-Chu Chang “An Alien Traveler: The Portrait of Self and Other.” Presented in the Midwest Modern Language Association Convention, Cleveland, Ohio, U.S.A., Nov. 1-3, 2001. (國科會計畫編號:NSC89-2411-H009-025)

        8. Ivy I-Chu Chang “Theater as Therapy, Therapy as Theater.” Presented in The Seventh Performance Studies Conference International, Johannes Gutenberg University Mainz, Germany, May. 28-Apr. 1, 2001.(國科會審查補助)

        9. Ivy I-Chu Chang “Media Representation and the Theatrical Actions in the Feminist Movement in Taiwan.” Presented in 21st. Century Women Studies International Conference, Sin Chew Daily News, Jaya, Malaysia, March 4-5,2001.

        10. 張靄珠,〈食色國族寓言:論焦桐的《完全壯陽食譜》及其他〉。中國現代 文學國際學術研討會,元智大學,2001.5.13-14。
          Ivy I-chu Chang “Food, Sex, and National Allegory: Chiao Tung’s Phallic Recipe,” International Conference of Chinese Literature, Yuan Chi University, Taiwan, May 13-14, 2001.

        11. 張靄珠,〈綻放在生命與記憶斷層的花朵:有關九二一地震的戲劇工作坊〉。 第二十五屆全國比較文學大會,中興大學,2001.5.21-22。
          Ivy I-Chu Chang “Collective Trauma and Therapy: the Theater Workshop of September 21 Earthquake.” The 25th Comparative Literature Conference, Chung Hsin University, Taiwan, May21-22, 2001

        12. 張靄珠,〈性別反串、異質空間、與後殖民變裝皇后的文化羨忌〉。第二十 四屆比較文學會議,中央大學,2000.5.21-22。(國科會計畫編號:NSC88- 2411-H-009-011)
          Ivy I-chu Chang “Cross-dressing, Heterotopia, and Cultural Ambivalence of Post- colonial Drag,” the 24th comparative Literature Conference, Central University, Taiwan, May 21-23, 2000.(NSC88-2411-H-009-011)

          1. 張靄珠,〈污名再現與性別逾越(愉悅):紐約酷兒表演研究〉。第五屆四

            性研討會,中央大學,2000.4.26-28。(國科會計畫編號:NSC88-2411-H- 009-011)
            Ivy I-Chu Chang “Staging Stigma and the Pleasure of Gender/Sex Transgression,” The 5th Gender/Sex International Conference, Central University, Taiwan, April 26-28, 2000.(NSC88-2411-H-009-011)

          2. Chang Ivy I-chu “When Chinese Queen Meets Post-colonial Drag” Presented in the Sixth International Performance Studies Conference, Arizona State University, U.S.A. 2000.(國科會計畫編號:NSC88-2411-H-009-011)國科會審查補 助。

          3. 張靄珠,〈臨界空間與公民權操演〉。「臨界空間與社會」國際學術研討會, 東海大學,1999.12.11-12。
            Ivy I-chu Chang”Time/Space Liminality and Performativity of Citizenship,” Space and Society International Conference, Tung Hai University, Taiwan, December 11-12, 1999.

          4. Chang, Ivy I-Chu “Masquerading National Identities: The Theatrical Action and Democratization in Taiwan.” Presented in the Fifth Annual International Performance Studies Conference, University of Aberystwyth, Wales, UK, April 9-12 , 1999. (國科會審查補助)

          5. 張靄珠,〈紐約女同性戀表演的城市空間與身體美學:析論「開襠褲劇團」 的性別操演與性別建構〉,於第二十三屆比較文學會議發表,中興大學,

            1999.5.8。(國科會計畫編號:NSC87-2411-H-009-007)
            Ivy I-chu Chang “Performing Lesbian” the Aesthetics and Body Politics of Split Britches,” the 23rd Comparative Literature Conference, Chung Hsing University, Taiwan, May 8, 1999. (NSC87-2411-H-009-007)

          6. 張靄珠,〈國家認同與歷史傷痕的再現:台灣解嚴初期小劇場的政治劇〉, 「一九九九台灣現代劇場學術研討會」,文建會與成功大學合辦,

            1999.3.12-14。
            Ivy I-chu Chang “Re/presenting National Identities and Collective Trauma” Taiwan’s Political Theater,” Taiwan Modern Theater and Drama Conference, Cheng kung University, Taiwan, March 12-14, 1999.

          7. Ivy I-Chu Chang “Queering Across the Border.” Presented in the Fifth Annual British Commonwealth and Postcolonial Studies Conference, Georgia Southern University, USA, April 18-20, 1998.(亞洲文化協會補助)

          8. Ivy I-Chu Chang “Tackling Political Totem and Taboo: The Disruptive Performance in the Legislative Yuan in Taiwan.” Presented in the Third Annual Performance Studies Conference, Georgia Technology Institute, USA, April 18-20, 1997

          9. Ivy I-Chu Chang “Staging Diasporic Memories and Amnesia: Asian American Representation in Ping Chong‘s ‘Undesirable Elements’ and “Deshima‘.” Presented in the Second Annual Performance Studies Conference, Northwestern University, USA, March 21-24, 1996. (亞洲文化協會補助)

          10. 張靄珠,《流離的記憶與遺忘:析論張家平劇場亞美經驗的再現》,第六屆 全國英美文學會議,師範大學,1995.12.24-25。
            Ivy I-Chu Chang “Staging Diasporic Memories and Amnesia: Asian American Representation in Ping Chong‘s Undesirable Elements and Deshima.” Presented in The Sixth Anglo-American Literature Conference, Normal University, Taiwan, December 24-25, 1995.